Comme cfl Jerseys wholesale des Garçons “Like Boys”
The Met Gala in the beginning of this May was undoubtedly a big hit in New York City. This annually held charity dinner always had special dressing theme for its attendees, this year being “Rei Kawakubo-Commedes Garcons: Art of the In-Between”.
Rather than with these “alien-like” CDG cloths above, Chinese customers are more likely to associate Kawakubo’s name with the Taobao bestselling items from flutie cfl Jersey CDG’s Play line.
Being a sub-line, Play is actually not designed by Kawakubo personally. In fact, most of the sub-lines are works of designers from non-core teams, while Kawakubo takes charge
of only CDG and Homme. Therefore, the sub-lines are not a good representation of Kawakubo’s true style. However, Kawakubo’s “true style” is not for everyone. The public’s reaction cfl Jerseys wholesale to Kawakubo’s Met exhibition is probably “Can you really wear these stuff?”
So here is an ultimate guide for this exhibition, introducing you into the peculiar world of Kawakubo.
“I am not interested in clothes that show the body. I like the idea of wrapping.”
In this exhibition, Kawakubo respectively presented eight contradicting themes: Fashion / Antifashion ; Design / Not Design ; Model / Multiple ; Then / Now ; High / Low ; Self / Other ; Object / Subject ; Clothes / Not Clothes.
The exhibition is carried out as an immersive, labyrinthine space where audience can explore on their own. The atmosphere is deliberately designed so that the audience can enjoy LaDarius Gunter Jerseys the sense of infinity and mystery, as Kawakubo put it.
Fashion / Antifashion
To Kawakubo, her design is her narrative. She never studied abroad, and never enrolled in any design-related course. In her own perception, she Jamize Olawale Jerseys is not even doing “fashion” or “art”. “ I just design whatever I am feeling at the moment.”
Kawakubo’s life is full of contradictions, just like the eight contradictory themes. Sometimes she felt painful, admitting only her failure, but not success. “Perhaps in the past 40 years, I’ve always been torturing myself by working day and night, living in hell. This is to some extent indicating my failure.”
Design / Not Design
“To me, designing is not all about designing. ‘Not Designing’ is also designing to me.”
Good Taste / Bad Taste
There seem to be no other colors than black, white and red in Kawakubo’s works, and Black, the featuring color of CDG, is the most powerful one ricky williams cfl Jersey among them according to Kawakubo. CDG clothes never put emphasize on wearer’s body curve. Instead, the focus is on the form of the material itself, as well as a sense of wrapping. In Kawakubo’s works, you will see intensive use of asymmetric shapes.
“I enjoy taking history and make it new.”
Now / Then – Birth / Marriage / Death
Many would categorize Kawakubo as an “anti-tradition” designer, yet Kawakubo herself openly claimed her respect for history and tradition.
Now / Then – Past / Present / Future
In designing these wedding dress, Kawakubo delivered her pursuing of freedom. Although Kawakubo shows full understanding of women getting married for financial security, she felt sorry for those who lose freedom in marriages. To Kawakubo, marriage should never be a turning point of anyone’s life. People ought to build a strong self, then have a marriage.
High / Low – Elite Culture / Popular Culture
Kawakubo perceives the worlds of arts as overlapping, where music, literature, theater and designing are intertwined and mutually benefiting. When she thought of the word “strength”, the strong arms of ballet dancers came into her mind, so she added elements of ballet costumes into her design.
Self / Other – East flutie cfl Jersey / West
Many designers cannot help involving their own cultural background in their works. Kawakubo is apparently not of the case. There’s no way you can find a hint of culture or ethnicity of her in her works. All you can see is her own expression of ricky williams cfl Jersey feelings and moods. It is such an unconstrained freedom to design that makes Kawakubo’s works full of surprises and possibilities. As Kawakubo admitted, she never refers any particular design when doing her own designing.
Self / Other – Male / Female
Kawakubo even thinks that, in terms of mentality, being man or woman is no different. People can dress up the same way regardless of gender. Men and women are all human anyway. Kawakubo doesn’t hold the idea of gender in her mind while designing. Instead, she designs for people who share the same traits.
Self / Other – Child / Aldult
Children’s clothing used to be a bothering subject to Kawakubo. How is a designer supposed to express children’s feelings when he/she is no longer a child? To Kawakubo, pink heart-shape doesn’t necessarily mean naivety, but children’s curiosity does. She tried rejecting human’s body shape, and designed this set of Children’s clothing with a 2D thinking.
Object / Subject
While thinking of the topic of subjectivity and objectivity, Kawakubo also re-examined the relationship between body and clothing. Why don’t we let them fuse together? In nowadays’ mainstream designing, forms and styles are becoming more and more homogeneous, showing a lack of creativity, but Kawakubo is still looking for a breakthrough of former works, pursuing more possible forms of clothing.
Clothes / Not Clothes – Form / Function
Kawakubo’s works are mostly criticized for impracticality. Many people claimed that they couldn’t find any occasion where Kawakubo’s clothing is suitable. However, it is most definite that what CDG conveys is an attitude of self-assurance, which is also the core value of the brand. Functionality is probably the factor that CDG cares the least.
Clothes / Not Clothes – Beautiful / Grotesque
Clothes / Not Clothes – War / Peace
On the topic of war, Kawakubo for the first time used red, the color of blood and roses. The flowing red indicates the continuing of life. Using this color shows people’s anger and pain, desperation and struggle.
Clothes / Not Clothes – War / Peace
“Blood is the state of being alive.”
Clothes / Not Clothes – Life / Loss
Kawakubo believes that the truth of life is about feeling the pain of loss, because any creation and gain comes with the pain of loss. Thus no pain, no creation.
Clothes / Not Clothes – Life / Loss
“There is very little creation without despair.”
In this group of works, the color “witch” blue was unwontedly used. Kawakubo revealed that, in her mind, “witch” represents powerful women for that witches in myths and tales usually seem omnipotent, arousing people’s fear. Kawakubo is fascinated with this concept of powerful women being misunderstood by the secular world. The world needs such women. The world has to accept witches.
Clothes / Not Clothes – Fact / Fiction
Clothes / Not Clothes – Fact / Fiction
Clothes / Not Clothes – Fact / Fiction
Clothes / Not Clothes – Fact Matt Prater Jerseys / Fiction
Clothes / Not Clothes – Order / Chaos
Following no rules seems like the only rule of Kawakubo. In this contradiction of order and chaos, she intensively used punk elements, and colorful patterns. Rihanna was dressed in this series and expectedly projected a high-wattage aura at the Met Gala.
Clothes / Not Clothes – Abstraction / Representation
Kawakubo thinks that abstraction is the essence of art, and as a fashion designer, her errand is to bring about series of clothes that have never existed before. This unique sense of mission becomes the temperament of CDG.
It seems that there is no pattern you can find in Kawakubo’s design, and it is impossible to speculate what is coming next. There is no iconic pattern, no fixed style, but the designers’ feelings and emotions. These are the soul of CDG. Every single item is beyond the constraint of physical world, exhibiting their uniqueness as alive.
