ColorBox Animation Bachelor Degree Classes
Arts and Sciences in conjunction with the School of Cinematic Arts. Students study within the framework that combines a broad liberal Sergei Bobrovsky Womens Jerseys arts background with specialization in a profession. Areas of concentration might include character animation, experimental animation, visual effects, 3-D computer animation, science visualization and interactive animation.
Standard
- 5 Projects
Premium
- 10 Projects
Professional
- 15 Projects
Maximum
- 30 Projects
Animation Bachelor Degree Classes Detail
The basic concepts of storyboard, layout, exposure sheets, extremes, timing, inbetweening, weight, squash-and- stretch, overlapping action, hook-ups, arcs, walk cycles and head turns will be covered in these courses. Drawing skills will be emphasized, as will the importance of one drawing in the context of many. Basic construction, line of action, perspective and looking—before touching pencil to paper—are essential to developing good drawing skills and personal style. Students will solve pictorial problems through these means. Character mode sheets, animal anatomy and live models will be drawn.
Materials required : Computer; Animation related softwares.
Focusing on the art of narrative storytelling, these courses will begin by exploring the basic principles of what makes a good story. Character, action, conflict, humor, irony, gags and dialogue—the key components in an animated film—will be emphasized. Aided by lectures and demonstrations, students will pitch their ideas and then illustrate nfl jackets cheap them with storyboards. Lastly, students will take their stories through layout and design.
Materials required : Computer; Animation related softwares,
These intensive courses will explore the art of animation, focusing on the animated film and its importance and use in live-action films (animated sequences, special effects, titles, etc.). Instruction will be given on the use of the animation stand, construction of characters and preparation of the work for animation photography. There will be screenings and discussions of selected short animated films.
Materials required : Computer; Animation related softwares,
Focusing on the perceptual skills involved in image-making, these courses will examine drawing as an act of producing independent works of art and as a preparatory process in organizing a finished work. Projects will explore the formal elements of art, such as line, space, scale and texture, as well as general topics, including anatomy, color Haason Reddick Youth Jerseys theory, perspective and observation. Pencil, charcoal, pen-and-ink and watercolor will be among the materials explored. Projects will range from the figure, nature and still life, and field trips will include drawing on location. Emphasis will be placed upon developing each student’s personal style.
Materials required : Drawing Pencil Sets, A Sketchbook, Variety of Erasers, Pencil Sharpeners, Charcoal or Conte, A Felt Tip Pen.
This course is designed for students who want to explore the dynamic medium of animation while finding their personal style and visual and poetic vision. Emphasis will be place on innovation, invention and experimentation. Whether pursuing a narrative or non-narrative project, students will receive a solid grounding in the basics of drawn animation, as well as various approaches to the medium such as stop-motion, sequential drawing, graphics, computer animation, mixed media and sound. Students will gain an understanding of character/object development, performance, design, story and plot necessary for the flow and rhythm of animation. Each student will complete four short films (30 seconds to 2 minutes in length).
Materials required : Computer; Animation related softwares; Film editing softwares.
Many animated films center around characters drawn from the animal kingdom. However, capturing the intricacies of anatomy and the fluidity of movement is a difficult task. Using pencils, charcoal, and watercolors, students will practice the art of drawing animals in motion and on location. Various strategies will be explored to assist the artist to stay within the immediacy of the field situation. Weather permitting, sessions will be held at various zoos, museums and parks.
Materials required : Drawing Pencil Sets, A Sketchbook, Variety of Erasers, Pencil Sharpeners, Charcoal or Conte, A Felt Tip Pen.
Special requirements : Classes might hold in zoos, museums, and parks. Required public skeching materials, such as a portable container.
Autodesk Maya is widely used in the 3D animation industry and is highly regarded for its modeling, animation and visual effects capabilities. Starting with storyboards, students will then learn modeling, cameras, lighting, surfaces, motion scripting and rendering. Several examples of high-end 3D animation will be demonstrated and analyzed.
Materials required : Computer; 3-D Animation related softwares.
ColorBox Animation Master Degree Classes
This MFA degree in Animation is meant to supplement the BFA experience by allowing time for development of an additional, more complex animation project and more study of both interdisciplinary and historical/theoretical frameworks. Students in Experimental Animation leave the program as creative leaders in the field, primarily finding careers in production and teaching, often forming creative partnerships with fellow students. In the program, students are exposed to a comprehensive education in the history, styles, techniques, and technology of animation arts. They also further the skills necessary to conceive, design, and nfl jackets china produce a thesis project demonstrating continued development of personal aesthetics.
Standard
- 5 Projects
Premium
- 10 Projects
Professional
- 15 Projects
Maximum
- 30 Projects
Animation Master Degree Classes Detail
The technical concepts of creating computer-generated 3D imagery will be the focus of this course. We will also examine the application of the aesthetic concepts of traditional animation to creative 3D animation. Geometric construction, surface texturing, scene illumination and cameras will be covered. Techniques such as squash-and-stretch, anticipation, follow-through, overlapping action, arcs of motion, exaggeration, staging and appeal will be explored. Assignments integrate technical and aesthetic information into short, creative 3D animation projects.
Materials required : Computer; 3-D Animation related softwares.
This course will study the structural elements underlying animated entertainment, traditional and experimental narratives. Story cheapest nfl jackets structures will be analyzed to discover what content can be conveyed within 30 seconds, a few minutes or longer in art and entertainment. We will focus on the key elements of storytelling, including the development of concepts, such as the central dramatic question, inciting incident, idiosyncratic characters and spaces, conflicts and needs, mounting tension, reversals and resolution. Visual language will be addressed by gaining a familiarity with camera shots, movements, angles and placement. Through short assignments, students will develop original scripts, concept sketches, storyboards and animatics. The basics of previsualization will be covered. An examination of key works in the field is included.
Materials required : Computer
The ability to write scripts (short programs that control other software) is one of the most powerful skills that a CG artist can have. In addition to an artistic eye, it is perhaps the skill that most frequently separates a run-of-the-mill artist from an irreplaceable one.
Materials required : Computer; Adobe; Maya; Houdini; Nuke; Program language – Python
The technical director (TD) is traditionally both a jack of many trades and the “hub” that brings the work of more specialized artists together into a cohesive whole. Nowhere else in the CG ecosystem will you so frequently find professionals who straddle the line between art and science. The most sought after TDs are invariably those who have multiple skills, an artistic eye and the ability to delve into the inner workings of the CG pipeline to repair and/or improve it. This course will cover advanced topics in Python scripting. We will touch upon fluid simulation, particle dynamics, cloth, procedural animation and modeling, rigid and soft bodies, and more. Prerequisite: Programming for Animators.
Materials required : Computer; Adobe; Maya; Houdini; Nuke; Program language – Python; and other related programming softwares.
The role of the art department, particularly in feature films, has expanded from being a front-end process to being actively involved throughout the production. This course will focus on honing the craft of visual development through creating concept art, storyboards, animatic production and previsualization. Using digital imaging and video, students will apply their creativity to the latest techniques in digital storyboarding. These techniques will be explored through short assignments and group critique. Screenings of key works that range from feature films and independent productions to commercials will provide a forum for discussion.
Materials required : Computer
Why do we love animation? What is it doing for us—or to us? This course will explore the impact of animation on our perception and culture through screenings, discussions and written work. We will discuss how pervasive animated worlds influence people through entertainment, games, advertising, broadcast media, medicine, law and architecture. The use of animation as commentary on topics such as politics, emotional life and intimacy will be considered. The culture of nfl jackets cheap animation itself—as represented by legendary companies, cheapest nfl jackets people and practices of this multifaceted art form—will also be addressed. Guest speakers and field trips are included.
Materials required : Computer
In this course, we will study selected science-fiction utopias and dystopias in popular culture, literature, cinema and theoretical writing from the 19th century to the present. We will begin with the question, “Why is science fiction our political theory?” in order to use the genre to analyze relations of power and control; capitalism and the media; ethics and freedom; definitions of human, gender and race in an increasingly bioengineered world. Among the texts will be Mary Shelley’s Frankenstein, George Orwell’s 1984, Margaret Atwood’s Oryx and Crake, as well as essays by Donna Haraway, Tom Moylan, H. G. Wells, Frederic Jameson, Scott Bukatman, Allucquére Rosanne Stone, Samuel Delany and Jean Baudrillard. Students will have the choice of writing a seminar paper or creating a piece of serious critical work in another medium for their final project.
Materials required : Computer
